October 15, 2007

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The Khmer Chronicles / Issue Nr 2: Can Cultural Identity go private?

John Vink


KhmerIt seems there is not a day when something of Cambodia's past is up for grabs and available to the one with the highest bid. Lately, the land owned by the government on which was built the Suramarit theater was sold for an undisclosed amount and for an undisclosed period of time as a concession to a private company who doesn't seem to have precise plans. It is difficult to be less transparent with public property...


Cambodia. Phnom Penh. 25/06/2007: The Suramarit Theatre. © John Vink/Magnum Photos

PAR271687.jpgIn Cambodia one often knows what he'll lose but not what he'll get in return. And here the loss is considerable. The theatre is one of architect Vann Molyvann's highest achievements. In the so-called "Golden Era" of the 60's the Cambodian architect has dotted the landscape of his capital Phnom Penh with landmarks of international standards like the School of Foreign Languages, Chaktomuk conference hall or the Olympic stadium. During the 80's the theatre was a point of convergence for the artists scattered by the Khmer Rouge regime. This was the place where one could assess who was left alive among the heirs of centuries old culture. Cambodian film director Rithy Panh has used the theatre as a pivotal point for his film "Le Theatre Brule" which precisely and quite humorously checks where exactly Cambodia stands today on a cultural level.

During its rehabilitation in 1994 the theatre was gutted by a fire and left crippled until today. Crippled but still alive. Some 300 artists, traditional dancers, members of the Royal Ballet, kept using the place for rehearsals, working under collapsing roofs or in the nearby exhibition grounds.

Cambodia. Phnom Penh. 2/07/2007: SANG Phordsa, classical Khmer dancer, rehearsing with VATCHHAN Moly, at the temporary rehearsal site at the Kite Museum, near the soon to be destroyed Suramarit Theatre.
Cambodia. Phnom Penh. 2/07/2007: SANG Phordsa, classical Khmer dancer, rehearsing with VATCHHAN Moly, at the temporary rehearsal site at the Kite Museum, near the soon to be destroyed Suramarit Theatre. © John Vink/Magnum Photos

They will be moved to a new facility, cheaply built behind a fashionable private nightclub (formerly the National Circus). In a country where reconstruction is in full swing after more than 30 years of war (10,5% growth in 2006), the focus is on infrastructure. But somehow, despite constantly referring to its glorious Angkorian past, it seems financing cultural infrastructure is not a priority for the government. The Fine Arts School grounds near the old Olympic Stadium, the cradle of new talent, was sold to a company who built shabby facilities for the students in poorly accessible suburbs and built housing and a shopping mall where the finest classical dancers and musicians were once trained.

PAR215242.jpgIn an ultraliberal economic surrounding, the incredible cultural diversity of Cambodia today can only survive through private funding. It's not that private funding or grants can't maintain high standards, like with the Khmer Arts Academy who is touring the US with an adaptation in classical khmer dance of Mozart's "Die Zauberflöte". And luckily the commitment of the artists of the Royal Ballet themselves and the respect they show for their heritage prevents a further erosion of excellence. But the problem is that a total privatisation of culture can threaten the identity itself of a country, blurring the limits as to what is acceptable or not, as to what can be funded by whom, as to what is perceived as authentic Khmer by the general public. Allowing a Japanese company to run the ticketing of Chhoeung Ek, Phnom Penh's "Killing Fields" where over 10000 people interrogated at Tuol Sleng prison by the Khmer Rouge were massacred, in exchange for the exploitation of some land nearby does send out a weird message, doesn't it?

Cambodia. Chhoeung Ek (Phnom Penh). 4/09/2005: A memorial to the victims was built at the site where over 15000 people were killed after having been interrogated at S21 prison by the Khmer Rouge. After some 30 years, bones still appear on the surface. Recently a development project was signed between the government and a Japanese company which would privatise the management of the site and turn the surrounding area into a tourist zone.
Cambodia. Chhoeung Ek (Phnom Penh). 4/09/2005: A memorial to the victims was built at the site where over 15000 people were killed after having been interrogated at S21 prison by the Khmer Rouge. After some 30 years, bones still appear on the surface. Recently a development project was signed between the government and a Japanese company which would privatise the management of the site and turn the surrounding area into a tourist zone. © John Vink/Magnum Photos

That a government lets outsiders finance its culture is one thing, risky enough, but that a price tag is added to its most painful recent history goes beyond risk taking. That is irresponsible.

Links:
» The Khmer Chronicles / Issue Nr 1: UNICEF in Cambodia
» John Vink's website
» John Vink's Magnum portfolio
» John Vink's Magnum In Motion story "Terre Rouge"
» John Vink's feature: Cambodia. 2000 - 2002. The Quest for Land

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First of all - beautiful images of the girls practicing Apsara. I've been visiting Phnom Penh once or twice a year since mid 2003. The capital is going ahead at full speed in terms of new buildings. In 2003 the kids used to practice Apsara at the Royal University of Arts nr. the Old Stadium in Tuol Kok. I took a bunch of photos there and on my next visit took the prints to give to some of the kids. The place had been bulldozed. All those beautiful old buildings with their faded grandeur and such lovely colours no longer exist (now in 2007 new buldings/apts have been built in the area). Development is a good thing, but in Phnom Penh it seems like the only people who benefit are the rich. The poor have no say. Phnom Penh is still a beautiful city. But for how long? Thank you, Jon, for documenting these things.

Comment posted by scott lucas on October 16, 2007

hi. thanks for update email . excelent

Comment posted by tajik on October 16, 2007

Hi John,

Thank you for this new update on LANDollars grab. I have become familiar with the new school of Fine Arts in the suburbs these last 2 years, almost impossible to reach if raining, at least on bike. The buildings are sadly reminiscing of some red ochre nazi concentration camp, desolation transpires often behind the usual kindness and smiles of adms and teachers. Many times, pupils are waiting in vain for their professors....They just had no money to put gas in their mopeds, or had to work elsewhere. I have no idea how they make it, frankly.

I hope to have the honor of meeting you on a next trip there.

Comment posted by herve on October 16, 2007

ive checked some khmer websites of whats happening today and i hear that the there is a new president or king whatever that the new guy in charge had made things more diffucult for the people making them pay rent which is sad when many are so poor

Comment posted by ley on May 2, 2008

Iey,

The actual Prime Minister, Mr Hun Sen, is on his job since 1985 without interruption, ranking him amongst the record holders for that office in the region. Newly crowned King Sihamoni has no real power. Although Cambodia officially is a democracy where relatively free elections are held regularly since the Paris Peace accords from 19991 (the next elections take place this July), the country is plagued by nepotism and very high levels of corruption, indeed making life for many of its inhabitants quite difficult.

You may find up to date information about Cambodia on the following websites:

Ka-set (in Khmer and French, and soon in English): http://www.ka-set.info
The Phnom Penh Post (in English): http://www.phnompenhpost.com/
KiMedia (in English): http://ki-media.blogspot.com/

Comment posted by John Vink on May 3, 2008

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