December 12, 2007
Magnum Magnum: Antoine d'Agata by Patrick Zachmann
Patrick Zachmann
With the publishing of Magnum's latest book "Magnum Magnum" (see Martin Parr's introduction) we present you three sample chapters of this epic 6,5kg book on the Magnum Blog. In this book each Magnum photographer is represented by six works chosen by, and accompanied by a critical text from, another member. We started with Chien-Chi Chang by Bruce Davidson, continued with Eve Arnold by Elliott Erwitt and finish our presentation today with Antoine d'Agata by Patrick Zachmann.
© Antoine D'Agata/Magnum Photos
I like the idea that Antoine d'Agata is part of the 'Magnum family', because there is nothing more stimulating than trying to make photographers fit in who don't conform to the usual image of our venerable agency. Nothing could be more boring than accepting a new photographer who is a clone of ourselves.
When I saw Antoine's work for the first time, I had a shock. I had become saturated with photography in general, which I found repetitive and limited. I had tried other formats - square, panoramic, colour, then cinema - all in an attempt to escape boredom or repetition. Suddenly, Antoine's work proved to me that with photography you could still surprise and move people.
I really loved these photos that brought me into the world of the night.
I found them unique, moving, sensual, brutal, sometimes even shocking, wavering between desire, pleasure and suffering - one moment attracting us to desirable bodies or exciting situations, and the next to something we have no reason to desire.
D'Agata spares us nothing, and he spares himself nothing. He seems to photograph everything he experiences, in its entirety, to excess. He puts himself in danger and takes photos at moments when most of us would have given up. You cannot tell where the private ends and the professional begins. This is what drives most photographers, in a constant to and fro between the inner world and the outer world. His work shows a need to speak, to show, to reveal oneself, to cry out - a sense of urgency, as if our existence was threatened.
Henri Cartier-Bresson claimed that one has to step back from reality and become invisible. Robert Capa said you have to get so close to your subject that you feel fear. As for D'Agata, while he belongs perfectly properly to the tradition of reportage, he gets close enough to his subjects to make them blurred, and even includes himself in some pictures, as if to show that to leave oneself out would be a delusion.
Whether it is the work of a photographer, painter or film-maker, a work of art makes sense and touches me when it bears traces of the artist's self-portrait.
Patrick Zachmann
Magnum Magnum is a 564 pages, 13.3 pounds heavy book edited by Brigitte Lardinois. It was published in English by "Thames & Hudson" and "Thames & Hudson USA", in French by "Editions de la Martinière", in Spanish by "Lunwerg", in Korean by "Kachi Publishing", in Japanese by "Seigensha", in German by "Schirmer/Mosel", in Italian by "Contrasto" and in Dutch by "Lannoo".
Links:
» Magnum Magnum: Chien-Chi Chang by Bruce Davidson
» Magnum Magnum: Eve Arnold by Elliott Erwitt
» Book Magnum Magnum (From the Magnum Store)
» Album Magnum Magnum
» Article Shooting stars of Magnum light up one another (Guardian Unlimited)
Published on the Magnum Blog on December 12, 2007
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Duplication of any material without author's consent and attribution is expressly prohibited.