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Alec Soth became a Nominee of Magnum Photos in 2004 and an Associate in 2006. Based in Minneapolis, Minnesota, he has received fellowships from the McKnight and Jerome Foundations and was the recipient of the 2003 Santa Fe Prize for Photography.

Since September 2006 he runs a highly successful blog of his own.

November 13, 2007

Interview: Alec Soth on "Dog Days Bogotá"

Alec Soth with Carrie Thompson


In 2002, Alec Soth traveled with his wife to Bogotá, Colombia to adopt a baby girl. The baby's birth mother gave the new parents a book filled with letters, pictures and poems for their new daughter. 'I hope that the hardness of the world will not hurt your sensitivity,' she wrote. 'When I think about you I hope that your life is full of beautiful things.'

During the two months that the Colombian courts processed their adoption paperwork, Soth set about making his own book for his daughter. Soth recently completed this book, Dog Days Bogotá. On November 9th, an exhibition of this work will debut at Weinstein Gallery in Soth's hometown of Minneapolis, Minnesota.

Soth discusses Dog Days Bogotá with his intern, Carrie Thompson, a photography student at the College of Visual Arts in St. Paul, Minnesota.


Photographs from the book "Dog Days Bogotá" © Alec Soth/Magnum Photos

Carrie Thompson: You made this book for your daughter, why did you decide to make it for the public?

Alec Soth: Wow, you're starting with the hardest question - you should be a journalist! Unfortunately I don't have a great answer. This work was produced five years ago. After Sleeping by the Mississippi was published, it didn't feel right to do this book. So I just kept it in my back pocket. After Niagara, I guess I was ready.

CT: Tell me about the dogs, how did they become so important?

AS: I was aware of the street kids in Bogotá. I mean, it is a hard thing to ignore, but I was especially attuned to it because of the adoption experience. But I was uncomfortable photographing these kids. So I photographed street-dogs instead. I guess they were a stand-in for the kids.

CT: So do the dogs have different types of personalities in your eyes - like young street children?

AS: Great question. In a way, this gets at why I was uncomfortable photographing the kids. I mean, I wasn't seeing them as individuals; I was generalizing them as a group. I don't like doing that. The dogs are all a little different, but I'm using them largely as an idea.

CT: It seems like you are searching for something in these images, was there something you were looking for?

AS: In the dog pictures or the book as a whole?

CT: All of the photos, the book.

AS: Yeah, I feel like I was looking for something...I'm just not sure what it was. But, of course, it all has to do with my daughter. Since we weren't given too much information about her background, the whole city became charged with her presence. I guess I was looking for signs of her and her background.

CT: Imagine your daughter looking at this book in five years, what do you want to see in her birthplace?

AS: I guess I want it to be a real place for her. I mean, we are already showing her the pictures (we only tore one page out of the book). We talk about Colombia a lot with her. As a five year old, it is just a mythical place. But over time, I want her to absorb it as a real place and as a real part of her history. I suspect that in five years she would be ready to take a trip there.

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Alec Soth, Ann Tornkvist, Ben Shneiderman, Bjarke Myrthu, Bruce Davidson, Bruce Gilden, Chien-Chi Chang, Chris Steele-Perkins, Claudia Guadarrama, Claudine Boeglin, Constantine Manos, Daniel Power, Elliott Erwitt, Frank Smyth, Geert Van Kesteren, Inge Bondi, Jörg M. Colberg, Jessica Dimmock, John Vink, Jonas Bendiksen, Magnum Photos, Malaria No More, Martin Fuchs, Martin Parr, Martine Franck, Matthew Murphy, Meagan Young, Pablo Inirio, Paolo Pellegrin, Patrick Zachmann, Peter Marlow, Pia Frankenberg, Reiner Holzemer, Simon Wheatley, Stephen Bulger, Stuart Franklin, Artprice.com,

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