Mr. Jackanory (Andrew Hetherington) recently visited Alec Soth's studio in Saint Paul, Minnesota to film the fourth episode of his "inside the photographers_studio" series. Originally posted on Whats the Jackanory.
UPDATE: Contest is now over! Congratulations to the three winners Olivier Laurent, Martin Nicholls and Byron Edwards! The answers are posted below with each clue.
Today we have a special treat for our blog followers. We are having a contest. What is the prize, you ask? Well, it's a signed copy of a publication you will encounter along the scavenger hunt. Intrigued? I bet you are.
The way this will work is you will begin on the home page of Magnum Photos and by reading through the poetic clues below you will be taken from one place to another, clicking on the link included in those pages that you suspect is the next step of the puzzle. In the end, if you’ve followed each clue correctly, you’ll be able to answer the final query and submit your answer. The hunt will run until 12noon EDT March 19, 2009, or until three people submit the correct answers.
On assignment for the New York Times Magazine, Paolo Pellegrin photographed eight of the contenders for Academy Awards. The intensity and honesty Pellegrin draws from his subjects is striking and gives you a sense of the raw strength they each possess away from the glitz and the glamour and without the makeup and costumes. The result is a stunning set of portraits of Sean Penn, Brad Pitt, Kate Winslet, Penelope Cruz, Mickey Rourke, Robert Downey Jr., and Kat Dennings.
"This is our time, to put our people back to work and open doors of opportunity for our kids; to restore prosperity and promote the cause of peace; to reclaim the American dream and reaffirm that fundamental truth, that, out of many, we are one; that while we breathe, we hope. And where we are met with cynicism and doubts and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of a people: Yes, we can." - Barack Obama
Photo-Eye recently published a list of the Best Photobooks of 2008. Photographers, publishers, editors, writers, critics and publications have been asked to share their picks for the top 10 (or so). Alec Soth and Martin Parr have been among those asked. Here are their favorites from 2008.
Alec Soth:
New York, N. Why? by Rudolph Burkhardt and Edwin Denby. Photography and poetry almost never work well next to each other, but this breezy little album (originally produced in 1938) makes me really happy.
The Solitude of Ravens. Photographs by Masahisa Fukase. One of my favorite books of all time finally gets some good packaging.
Wake by Adam Jeppesen. A quiet little poem (just wish the pictures didn’t keep falling into the gutter).
Baghdad Calling. Photography by Geert Van Kesteren. Largely made up of amateur pictures, this book is all about falling into the gutter.
Seneca Ghosts. Photographs by Danielle Mericle. If you look closely, this tiny book packs a punch.
Beyond the Forest. Photographs by Clare Richardson. Yes, I know, it came out in November of 2007, but I got it this year. A great, great book. If you want something similar from 2008 (good, but less tightly edited), check out Somerset Stories, Fivepenny Dreams by Venetia Dearden.
South East. Photographs by Mark Steinmetz. Another classic from the author of South Central.
Beaufort West. Photographs by Mikhael Subotzky. It irritates me when photographers are this good, this young (27), but there is no denying the power of this book.
Lighter. Photographs by Wolfgang Tillmans. An opportunity to relive my favorite exhibition of 2008 again and again. A huge book of installation views shouldn’t work, but Tillmans has the magic touch.
The World from My Front Porch. Photographs by Larry Towell. A lovely family album expanded into a complicated essay on the meaning of land and home.
I have been following the coverage of the Gaza invasion, and this photograph, printed on The New York Times front page on January 8th caught my attention for its bucolic feeling.
On that same day, January 7th, while these soldiers rested, 30 corpses were found under the rubble of a bombed building in Gaza, among them four starving children next to their dead mothers. See this article.
Israel has banned all foreign press from entering Gaza, but surely there must be images that are more relevant to the situation, as can be seen inside the paper.
Maybe I'm being picky, but knowing the power an image on the front page can have on the perception of events, I'd like to open a discussion on editorial responsibility: Why would a newspaper choose to represent a conflict of these proportions with this romantic image?
I've been suffering from blogger's block lately. It might be environmental. Along with some serious snow and cold up here in Minnesota, we are still trying to dig out from the Senate election. Six weeks after the greatest presidential election of my lifetime, we're still arguing about 'lizard people.'
I might not be able to write, but I can't seem to escape the interviews. (I even did one on 'lizard people'). Under the influence of Seasonal Affective Disorder, I recently did an interview with PDN where I said, "I have qualms with everything. I wake up I have qualms." Do I need professional help?
On Michael Werner's blog, Two Way Lens he asks for advice to emerging photographers. I recently added my two cents, but I can't say it is worth more than that. For something more substantial, check out this two-part interview with Chris Buck on A Photo Editor (here and here).
In the course of the interview, Buck says:
"I believe there are two kinds of photographers. There are those who look at other peoples work and there are those who don't. I'm not one to look at someone else's work. I find it more distracting than helpful. I tend to be generous with young photographers and I'm open to meeting with people but I don't really look at my competitors work."
Though I wouldn't use the word 'competitor', I also wonder if seeing too much contemporary work is problematic. I once had an assistant, Phillip Carpenter, who said something I'll never forget. Phil started off as a musician in Nashville. He was surrounded by a ton of talent and learned about everything going on. But this knowledge, he said, was eventually damaging. Phil explained that the best musicians often come from nowhere. They are in their parent's basement in Idaho, don't really know how to hold the guitar, and consequently develop their own peculiar sound.
So here is the question: If limitation spawns creativity, is the limitless resource of the Internet a good thing? Does it do more harm than good to read all these blogs?
The blog competition from a month ago looking at the relationship between Magnum photographs and paintings has gotten me thinking. I thoroughly enjoyed the connections that were made, but I was reminded of one of my pet-hates when it comes to much recent photography - referencing for referencing's sake. Now this is clearly not the case with most of these Magnum photographs where a less self-conscious connection exists, I think its still worth discussing in relation to contemporary photography.
It seems like the surest way to get your photography noticed is to state the visual reference to historical painting, or the reference to Debord or Deleuze. I recently received a press-release in the mail where the photographer claimed affinity to both Wittgenstein and Foucault. Is that combination possible!? While I have nothing against intelligently and historically framed photographic content, I just start to bristle when these feel like they are what they are just for the sake of the ability to cite the reference, or because that is what everybody else is doing. I love what Todd Papageorge says in a contemporary response to Capa - "If you photos aren't good enough, you haven't read enough". But please, lets all let that reading absorb slowly into our work rather then trying to trumpet this reference and that reference. In his advice to young photographers Donavon Wylie extols the importance of reading and literature. In the presentation of his work, you don't see him advertising this reference to Joyce and other obscure (jokes) Irish writers, but his work obviously displays a deeply subtle understanding of narrative and literary context which gives it an strength that goes far beyond visual exclamation marks or press-release citations.
Its hard to go to a photography show these days without hearing art-world enthusiasts get excited about the Vermeer'esque lighting or the Munch'ian emotion! When I hear this, I wish that the tradition of photographic interaction with painting was better understood. I don't think anybody has more intelligently related to philosophy or the history of painting then Jeff Wall. I love the way his connection to historical painting is not based purely on a visual similarity, but rather then an in-depth interrogation of pictorial structure, as well as social, historical and metaphysical content.
But now, just to contradict my own argument, here's a reference of my own that I should have entered in the competition. Completely unconscious of course - you are hardly able to think about getting into a Goya-like position in a cramped police cell at 3am in Beaufort West!
There has been a lot of talk lately about presidential dogs. Obama bought up the issue in both his victory speech and his first press conference as President-elect. Meanwhile Barney, the outgoing Presidential dog, is caught nipping at the liberal media. Like Huffington Post, this got me looking through the archives for pictures of presidential dogs.
The most famous Presidential dog is probably Nixon's Cocker Spaniel, Checkers. But searching through the Magnum archives, the only picture I could find was of Nixon with an unidentified white poodle. Is this the canine Monica Lewinsky?
Cool to see that Simon Norfolk is guest editing this week's edition of the British Journal of Photography. In choosing Milton Rogovin for the cover story, he writes:
The fashionistas will run a mile from his photographic style (monochrome is so last century); his tenacity (so 1970s,) humanism (so last year) and his communist politics (so ... oh, didn't capitalism collapse last week?) - but quality will always shine through in the end.
While working near Buffalo, I made a pilgrimage to meet Rogovin in 2004 (see the picture here). I was terrified, but he was as sweet and generous as his photographs.
I later learned that at age ninety Rogoving began writing poetry (via):
"I was sitting in this chair in my living room on my ninetieth birthday, and I started crying as I recalled my father going swimming at Coney Island, and a poem came out. Then I wrote a poem about my mother. I was remembering the time she took me to the Metropolitan Museum of Art in New York City to see a well-known painting called "The Horse Fair" (1852) by Rosa Bonheur. I wrote about 70 poems over the next few years, all of them sitting in that chair. My family joked about it. (Laughing) My son Mark sat in the chair, but no poems came out."
Joerg is dangling the meat over at Conscientious, but I just don't have time to bite. I might be blogging again, but I'm not going to sacrifice my first born this time around. Maybe someone else is in the mood to masticate?
As Linda Richman used to say, I've got shpilkes in my geneckteckessoink…talk amongst yourselves...
I have just updated our blog's links page once again. I added a couple of photography related blogs and a couple of journalism and photography related websites. As always, feel free to send your suggestions for inclusion in the list.
Other than that stay tuned for exciting new blog features and stories that we are currently working on and please let me know what you would really love to see here.
There are blogs about family vacations, cooking, knitting, little dog puppies, cats, hidden sexual fantasies, about photography, art and so much more. Despite the fact that nobody could ever possibly read all the blogs out there due to the sheer tremendous number of thousands and thousands of blogs, most of the time it wouldn't be worth it anyway. Frankly but at the same time nicely put: Most blogs are not very interesting at all. At least not if you are not the author or a close friend of the author.
But of course there are many, many exceptions to this as well. There are a whole bunch of blogs that are worth reading, that you can learn from, that can inspire you and broaden your horizon.
In an effort to bring some more inspiration to all of us I have collected 83 links to blogs about photography, art, multimedia and journalism, that I hope might be a source of good information for you. You might know a lot of them, or even all, but maybe you can find a couple of blogs that you did not yet know.
At the same time I updated the Magnum Blog's link page to include these blogs for future reference. The collection of various articles concerning photography on that page will of course still be available and updated from time to time.
Comments on the selection are appreciated and if you know a blog, or find one in the future, that should be added please let me know. Blogs that we link to usually do not only contain photographs but also some sort of textual information and thoughts. We will check every suggestion and if the submitted link could be of interest and value to our readers we will add it.